Review: Hearing is Believing in Ian Tuason’s ‘undertone’

Ian Tuason’s “undertone” wields an expert command of mood and a killer performance from its lead, Nina Kiri to produce some of 2026’s best scares.

Saturday at the Movies: Sook-Yin Lee’s ‘Paying For It’ Is A Non-Traditional Love Story Brought To Life

Sook-Yin Lee’s ‘Paying For It’ adapts Chester Brown’s graphic novel in an honest and authentic way while using her deft directing to explore unconventional relationships

Saturday at the Movies: Reflections of a Reflection in Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’ (Toronto After Dark Film Festival)

Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’ favours style over substance. But it might be better for it.

31 Days of Horror 2025: It’s Gonna Be May (2002)

Discover why Lucky McKee’s ‘May’ (2002) is one of Sachin Hingoo’s perennial favourites and a Spooky Season mainstay.

31 Days of Horror Trailer Time: ‘Scream 7’ and a New Generation of Ghostfaces

Trailer Time: ‘Scream 7’ takes the franchise back to its roots with a returning Kevin Williamson, Neve Campbell, and Courteney Cox!

31 Days of Horror 2025: Izzy Lee’s ‘House of Ashes’ is a Gripping, Timely Nightmare

Izzy Lee’s feature debut ‘House of Ashes’ is a compelling treatise on bodily autonomy and grief while delivering some disturbing imagery that may be natural, supernatural, or some combination of the two.

31 Days of Horror 2025: Rod Blackhurst’s ‘Dolly’ and the Comfort of the Extreme (Fantastic Fest, 2025)

Rod Blackhurst’s ‘Dolly’ treads familiar French Extremity ground on the way to delivering a dark and depraved tale that’ll stick to your disembodied ribs.

Review: Paul Thomas Anderson’s ‘One Battle After Another’ Redefines the Master

Paul Thomas Anderson’s ‘One Battle After Another’ is a funny, brilliant, surgical satire of authoritarian fascism and one of the year’s best.