Blumhouse has unleashed the first trailer for The Craft: Legacy, its sequel to the 1996 teen witch horror, The Craft.
Feels Good Man is an incredibly thorough and engaging look at how benign symbols and icons are co-opted and used in radicalization efforts.
In Amelia Moses’ feature debut, Bleed With Me, big-time scares are traded for much more nuanced prods at her viewers’ comfort levels.
In only two and a half minutes of the brand new trailer for No Time To Die, the 25th franchise film and the 5th for Daniel Craig, will pique your interest.
Sachin Hingoo sat down with Ian “Vampiro” Hodgkinson and director Michael Pazst to talk about their film Nail In The Coffin: The Rise & Fall of Vampiro.
Who Goes There? was shortlisted for a Student BAFTA Award this year, and its precise execution is a good reason why.
Sachin Hingoo is “taken with the lush beauty of his new HBO miniseries We Are Who We Are.” Check out the trailer now.
Crazy Samurai Musashi is a relentless, real-time war, and whether it’s a movie, an athletic endeavour, a spectacle, or some of it’s one of 2020’s best surprises.
In The Columnist, Kaja Herbers portrays a woman who is done with being told to turn off her phone and walk away from the comments and grabs her agency back with both blood-stained hands.
Some of the best horror festivals in the US have joined up for a massive virtual edition called Nightstream.
Catch and Release features gorgeous landscape and strong performances, but suffers from too many story misses.
Natalie Erika James’s Relic isn’t a slow burn, it’s a just-right burn, never revealing any more than it has to, unraveling at exactly the right pace to burrow into you.