Saturday At The Movies: Expect The Unexpected in Osgood Perkins’ ‘Keeper’

Osgood Perkins’ latest, ‘Keeper’ feels like a couple of decent performances, mostly-cheap scares, and decent but confusing VFX in search of a story.

Review: Paul Thomas Anderson’s ‘One Battle After Another’ Redefines the Master

Paul Thomas Anderson’s ‘One Battle After Another’ is a funny, brilliant, surgical satire of authoritarian fascism and one of the year’s best.

Fantasia 2025: For the Love of Film in Kenichi Ugana’s ‘I Fell in Love with a Z-Grade Director in Brooklyn’

A romantic comedy set against the backdrop of underground horror filmmaking, Kenichi Ugana’s  I Fell In Love with a Z-Grade Director in Brooklyn once again finds the heart underneath the blood and viscera.

In The Game: ‘Maximum Football’ is a Decent Alternative, But Not Quite Prime Time

If you’re tired of paying top dollar for recycled mechanics and want something that lets you build your own football universe from the ground up, “Maximum Football” is worth a serious look.

Saturday at the Movies: In Sean Byrne’s ‘Dangerous Animals’, The Sharks Are All Right

Sean Byrne’s ‘Dangerous Animals’ is a tense, harrowing shark tale that gives the sharks the reverence they deserve.

Saturday At The Movies: Danny and Michael Philippou’s ‘Bring Her Back’ Feels Like Dead Weight

Following up on their surprise hit ‘Talk To Me’, the Philippou brothers return with ‘Bring Her Back’, an exploration of extreme grief that often feels weighty in the wrong ways.

‘Hallowed By Their Name: The Unofficial Iron Maiden Bible’ Contains Everything You Need to Know About the Band (And More)

‘Hallowed By Their Name: The Unofficial Iron Maiden Bible’ is a beyond comprehensive look at the venerable metal band and their work. Read Jeffery X Martin’s review!

Saturday At The Movies: An Irish Spring for Horror With John Farrelly’s ‘An Taibhse’ and Aislinn Clarke’s ‘Frewaka’

Saturday At The Movies: Two different films claim to be the FIRST Irish-language horror! Which will reign supreme (spoiler: neither, because you don’t have to pick)

Titillating Tyranny in James Ashcroft’s ‘The Rule of Jenny Pen’

In director James Ashcroft’s The Rule of Jenny Pen, John Lithgow plays Dave Crealy, a deranged, tyrannical bully masked under Lithgow’s ever-present charm and the presence of a beaten-up, hollow-eyed puppet named Jenny Pen.

Saturday at the Movies: The Visual Splendour and Flaws of ‘Nosferatu (2024)’

With a lot of overacting from virtually all involved, writer/director Robert Eggers’ “Nosferatu” is a gorgeous, unnecessary rehash of a familiar story.