Saturday At The Movies: Expect The Unexpected in Osgood Perkins’ ‘Keeper’
Osgood Perkins’ latest, ‘Keeper’ feels like a couple of decent performances, mostly-cheap scares, and decent but confusing VFX in search of a story.
Osgood Perkins’ latest, ‘Keeper’ feels like a couple of decent performances, mostly-cheap scares, and decent but confusing VFX in search of a story.
Paul Thomas Anderson’s ‘One Battle After Another’ is a funny, brilliant, surgical satire of authoritarian fascism and one of the year’s best.
Old school fans and newcomers will find plenty to love about the remastered ‘Tony Hawk’s Pro Skater 3 + 4!’ Read Wade Stokan’s review in this sweet edition of In the Game!
A romantic comedy set against the backdrop of underground horror filmmaking, Kenichi Ugana’s I Fell In Love with a Z-Grade Director in Brooklyn once again finds the heart underneath the blood and viscera.
If you’re tired of paying top dollar for recycled mechanics and want something that lets you build your own football universe from the ground up, “Maximum Football” is worth a serious look.
Sean Byrne’s ‘Dangerous Animals’ is a tense, harrowing shark tale that gives the sharks the reverence they deserve.
Following up on their surprise hit ‘Talk To Me’, the Philippou brothers return with ‘Bring Her Back’, an exploration of extreme grief that often feels weighty in the wrong ways.
‘Hallowed By Their Name: The Unofficial Iron Maiden Bible’ is a beyond comprehensive look at the venerable metal band and their work. Read Jeffery X Martin’s review!
Saturday At The Movies: Two different films claim to be the FIRST Irish-language horror! Which will reign supreme (spoiler: neither, because you don’t have to pick)
In director James Ashcroft’s The Rule of Jenny Pen, John Lithgow plays Dave Crealy, a deranged, tyrannical bully masked under Lithgow’s ever-present charm and the presence of a beaten-up, hollow-eyed puppet named Jenny Pen.
Wade Stokan previews the long-awaited ‘Dynasty Warriors: Origins’ in this installment of In the Game!
With a lot of overacting from virtually all involved, writer/director Robert Eggers’ “Nosferatu” is a gorgeous, unnecessary rehash of a familiar story.