Saturday at the Movies: The Visual Splendour and Flaws of ‘Nosferatu (2024)’
With a lot of overacting from virtually all involved, writer/director Robert Eggers’ “Nosferatu” is a gorgeous, unnecessary rehash of a familiar story.
With a lot of overacting from virtually all involved, writer/director Robert Eggers’ “Nosferatu” is a gorgeous, unnecessary rehash of a familiar story.
Marie Gilbert looks at “Blink Twice,” the directorial debut from ZoĂ« Kravitz.
Marie Gilbert looks at “Wicked: Part One,” calling it a love story about friends from two different cultures.
In need of a break from the real world, Marie Gilbert went to see “Red One” and got just what she needed.
With its top-class cast, writing, and special effects, Vivieno Caldinelliâs ‘Scared Shitless’ is a winner.
“Levels” is a Canadian sci-fi thriller about love, loss, and hidden truths.
“This is the Zodiac Speaking” is a gripping three-part series from Netflix that lays to rest the question of who the Zodiac killer was.
Jeffery X Martin reviews ‘Caligula: The Ultimate Cut’ in all its horrific splendor for 31 Days of Horror 2024!
31 Days of Horror At The Movies: Severin Fiala and Veronika Franz’s ‘The Devil’s Bath’ plunges you beneath the surface for an experience even darker than their prior works, because it’s true.
Horror short ‘Posies’ uses Rachel Stavis’s meticulous direction in concert with Chappell Roan’s beautifully atmospheric score to craft a story about beauty and ugliness in opposition within the same skin.
“Red Rooms” is a chilling thriller exposing dark web crimes, focusing on a trial, obsession, and society’s complicity in voyeurism.
Biff Bam Pop!’s Steampunk Granny Marie Gilbert checks out “Frankie Freako,” the latest film from Canadian horror auteur Steve Kostankski.