Beast wasn’t in my original TIFF plans. Extremely limited press screenings forced me to blow up my schedule twice, but I saw the main things I wanted. Beast was a pick-up, from promising new filmmaker Michael Pearce. In the film, a woman is forced to defend her lover when he falls under suspicion for a series of brutal murders. While the film’s twists yank it a tad too far from the realm of believability, it’s a tense thriller and a quality debut.
Zama, the long-anticipated return of Argentinian director-extraordinaire Lucrecia Martel, is an astonishing work of colonial examination and technical perfectionism.
Martin McDonagh’s likes his comedies like his coffee: black. Actually, I have no idea how McDonagh takes his coffee, if he takes it at all. But boy does he have a way with finding the humour in very dark situations. His first two features were uneven, but both In Bruges and Seven Psychopaths unearthed surprising depths among their myriad quirks. With his latest, Three Billboards Outside Ebbing, Missouri, McDonagh has created a richer film, bubbling with tension, stark satire and even a hint of that elusive trait redemption.
The Shape of Water is, ah, shaping up to be the film of the year. Guillermo del Toro’s latest brilliant film just won the top prize, the Golden Lion, at the Venice Film Festival, and it’s a good bet to win at least The People’s Choice Award at the Toronto International Film Festival this year. It’s been such a hot ticket, it took me two tries to see it. And that’s at press and industry only screenings! It doesn’t come out until Friday, December 8th in North America, but lucky for all y’awl, the Red Band trailer just dropped. That and a mini-review after the jump!
This year at TIFF we’re seeing the Trump era’s first real artistic blowback. I started with Darren Aronofsky’s mother! (opening across North America this Friday, September 15th), and holy cow, it kicked things off with a bang. That exclamation point in the title is wholly deserved, and you can add about fifteen more in your head. Part psychological horror, part religious allegory, part study of the narcissistic vampirism of the artist/creator, mother! keeps coiling in on itself, like a serpent swallowing its frenzied, burgeoning tail. But is it a tale worth watching, or the sort of child only a mother could love?
Dragonfly Eyes, Chinese artist Xu Bing’s first foray into feature-length filmmaking, is a direct glimpse into what the future of cinema might be.
It’s the silly season for Toronto filmgoers, the cine-season, TIFFmas to many devoted local movie buffs. Today the Toronto International Film Festival 2017 edition announced its first swath of upcoming films. These are Gala and Special Presentation flicks, and there’s bound to be a passel of Oscar-hunting contenders worth checking out. Catch the full list after the jump!