Prime in the Dustbin: ‘Blood Freak’ (1972)
The majestically weird ‘Blood Freak’ may be the finest combination of conservative Christian values and gory murders by a turkey monster ever filmed.
The majestically weird ‘Blood Freak’ may be the finest combination of conservative Christian values and gory murders by a turkey monster ever filmed.
1984’s ‘Disconnected’ foregoes the glitz and glam of most films from the decade, providing a real you-are-there feeling of desperation and madness.
The difficulty in describing a movie like 1987’s Funland lies in the fact that I don’t know your boxes. That is to say, I don’t have a working understanding of all the things that make you excited about watching a particular film
In an doomed attempt to turn a porn star into a comedy starlet, ‘Linda Lovelace for President’ takes all the low-hanging fruit it can gather and mashes it into a rotting compote of awfulness.
The Night the Prowler (no comma or ellipses for you, ladies and gentlemen) is an Australian movie that might be a satire about high society or a bloodless slasher movie … Continue reading Prime in the Dustbin: ‘The Night the Prowler’ (1978)
If ever a movie needed an exclamation point in its title, it is ‘Disaster,’ an action movie so insanely brainless, it gets our lowest (meaning ‘highest’) recommendation.
Donald Pleasance as a science-crazed botany professor? Tom Baker as a seven-foot-tall giant with facial tumors? And this is really a real movie, for real? Sign me up for ‘The Freakmaker,’ post-haste!
I have never seen anything quite like The Milpitas Monster, a project that took three years to complete.
When you’re in the mood for a gritty, urban action movie set in the seedy underbelly of Los Angeles, you could do much better than The Executioner Part II, a sequel for a movie that doesn’t actually exist.
‘Island Fury’ combines implausible situations, inane dialogue, and underwhelming acting to create a movie so bad, it deserves to be the next cult movie sensation.
‘Rivals’ is a raging lint filter fire of a movie, with terrible performances, an illogical plot, and socially redeeming value whatsoever. And that’s the good part. It gets worse from there.
We take a gander at The Heart is a Rebel, a family drama from Billy Graham Ministries, and ponder the conundrum of reviewing faith-based films in a post-modern world.