Claire Foy totally looks the part of Lisbeth Salander in the new trailer for The Girl In The Spider’s Web.
Well, here’s the deal. The Predator as a franchise just doesn’t appeal to a mass audience. That’s it.
This week, The Leftscape takes an unexpected vacation from political news to catch up on a personal update as Mary McGinley, Wendy Sheridan, and Robin Renée talk about Mary’s Labor Day Weekend mishap.
Set in the early days of the American frontier, The Wind feels like an intriguing short stretched out to feature film length.
In the tradition of movies such as Reservoir Dogs and Free Fire, The Standoff at Sparrow Creek is a lesson in the right way to do a micro-budget feature.
Proxima Command, which uses the short-hand description of “escape room” to position itself in people’s heads, is actually something much, much cooler
Writer-director Jeremy Saulnier is behind three of the greatest films of the past five years: Blue Ruin, Green Room and, now, Hold the Dark.
This weekend could prove to be an interesting one at the box office, as The Predator is surrounded by a significant amount of controversy
On paper, I’m sure Aliens vs. Predator: Requiem looked like the “Xenomorphs on Earth” movie fans had been clamoring for since Ripley shot one of the bastards out of the airlock back in 1979. It is not that.
It’s difficult to conceive of a Predator movie without an actual Predator, but that’s exactly what you get in the 1988 Italian action movie, Robowar.
This week at BBP we’re counting down to the release of Shane Black’s The Predator by examining the history of the franchise. Today I’m going to look at Predator 2, one of the least loved sequels in history.
With In Fabric, Peter Strickland has created a deliriously lavish work that’s certainly a highlight of his growing collection.