Every year I try to highlight some cool progressive rock offerings for our readers, and this year is no exception. For those of us that love the genre, 2015 was a fairly heady time, as one of the most influential artists in prog passed away.
As a huge fan of Yes, the loss of bassist Chris Squire hit me hard. My first bass was an imitation Rickenbacker, which I discovered not long after purchasing it that it was Squire’s bass of choice. The Fish, as he was known to fans, passed away this spring after a brief battle with a rare form of leukaemia. The band carries on, though, with Squire’s longtime friend and former Yesman Billy Sherwood ably filling his shoes on tour.
Prior to Squire’s passing, two live offerings from Yes were released in 2015. The first, Progeny: Seven Shows From Seventy-Two, is a massive offering of 7 complete shows from 1972, the band’s first tour with drummer Alan White, and done in support of their fifth album, the genre-defining Close To The Edge. The shows are virtually identical in song selection, so this is a release that is really tailor-made for die-hards willing to listen closely for the minutia – a change in phrasing, a variation in solo. The band is on fire, mind you – literally, going for the one each and every night. Read the rest of this entry
Biff Bam Pop Exclusive: Andy Burns talks to Jon Anderson about Yes, the Anderson Ponty Band, Chris Squire and more
As longtime Biff Bam Pop readers are aware, I’m a huge Yes fan. Over the years we’ve had reviews of the various recordings from the group, along with multiple interviews with the band’s current keyboardist Geoff Downes and former lead singer Benoit David. This past Friday saw the release of a new album from founding member and one of rock’s most revered vocalists, Jon Anderson. Better Late Than Never is the first collaboration between Anderson and heralded violinist Jean-Luc Ponty, who has worked with Frank Zappa, Return To Forever and Mahavishnu Orchestra. Together, the Anderson Ponty Band have created new music, while also reinterpreting material from both musician’s legendary catalogues.
To talk to the man who laid the foundation of progressive rock beside Yes bassist Chris Squire…well, as you can imagine, it was a very exciting opportunity for yours truly.
You’ll be able to hear the entire conversation between myself and Jon Anderson in November with the second instalment of the Biff Bam Podcast; in the meantime, here are a few choice selections from our chat. Enjoy!
1997, outside Massey Hall, upon meeting Chris Squire of Yes for the first time:
Me: You’re the whole reason I play bass guitar.
Chris: Well, that’s a bloody good reason, isn’t it?
Chris Squire has passed away. If you know me at all, you know Yes has been one of my favourite bands for nearly a quarter century. My first bass was an imitation Rickenbacker like Chris’. When I played bass in bands, I did my best to emulate his sound, the way he’d play sliding up the neck.
The first time I saw Yes was in 1994, on the Talk tour with my best pal Perry. I wasn’t supposed to be at the gig. I had developed a horrible case of tinnitus that had left me looking at a bottle of pills, thinking that I couldn’t live with it. But thankfully, I got over that. We went to the gig at Kingswood Music Theater, maybe six rows back, and when Chris played the amazing bass intro on Heart of the Sunrise, I did the whole “we’re not worthy” thing. He saw and laughed. But it was true. We weren’t.
In 2004, thanks to kindness of Bruce Henne of hennemusic.com, I had the chance to interview Chris and his bandmate Alan White for Corus Radio Canada. It was pretty fantastic. I’d meet Chris over the ensuing years and what amazed me most was his gigantic hands – one of the world’s top five bassists simply was born to play the instrument. One of the last gigs I saw with Yes, I took my Uncle David to. We went backstage afterwards and my uncle had a chance to chat for just a brief moment with Chris. It was a memorable moment for both of us.
Along with being a master musician, Chris was also father to a young daughter. It’s such a shame she won’t have more time with her dad, but hopefully she’ll grow up knowing what a groundbreaking, influential man he was, and that those of us that loved his music loved the man as well.
Thank you, Chris Squire, for the inspiration and influence. Like the greatest of my heroes, I wouldn’t be whom I am today without your guiding light to help put me on a path.
A new album from a classic group can often be problematic – nobody sells albums anymore, especially bands of an older ilk who are faced with an aging fan base that solely wants to hear the hits of yesteryear delivered live. Try as I might to convince someone that the Rolling Stones A Bigger Bang was a solid addition to their catalogue, or that The Who’s Endless Wire was a consistently strong piece of art, there’s a good shot it will fall on deaf ears. The same can be said for prog rock masters Yes, who, in 2011, put out Fly From Here, an album I consider to be their best since 1980’s Drama. Some of their unrelentingly vocal fan base may agree with, while others would take the absence of founding member and lead singer Jon Anderson as reason enough to dismiss that effort.
If that’s the case, there’s no way I’ll be able to convince you that the band’s latest album, Heaven and Earth, is even better than Fly From Here. Or that, in my humble opinion, Yes has delivered a modern masterpiece.
Progressive rock giants Yes are currently touring across Canada with their 3 album tour, playing their classics Close To The Edge, Going For The One and The Yes Album (in that order). Reviews have been stellar, and the band is on fire (you can read my review of last year’s Toronto show here). In the meantime, the group have announced a summer tour of the U.S. along with their new album, Heaven and Earth, the first to feature new vocalist Jon Davison and second in a row to include keyboardist Geoff Downes.
Downes has got to be one of the hardest working men in music today. Along with his commitment to Yes, he and his colleagues in Asia have just release their new album, Gravitas, a memorable collection of songs that once again highlight the special songwriting tandem of Downes and bassist John Wetton. Geoff was kind enough to talk to us via email about Asia, Gravitas, being on the road with Yes and much more.
Andy Burns: Thanks for taking the time to talk to Biff Bam Pop again, Geoff! 2014 is already shaping up to be a big year for you – the new Asia album Gravitas is about to drop, you’re continuing the Yes Three Album tour, and there’s a new Yes album in the pipe. First question – how do you manage your time?
Geoff Downes: This year is particularly hectic, and it’s a credit to the management teams of both Yes & Asia for managing my time in this regard. Despite the tough schedule, it’s really exciting for me to have the two albums coming out, and of course performing on the tours as well. I think I can adapt to each band fairly quickly, but this year will certainly raise a few challenges.
Andy Burns: The new Asia album, Gravitas, is big and bold and confident, which is great considering you have a new, young guitarist in the band. How did you discover Sam Coulson?
Geoff Downes: I think it’s a very strong album, and both John & myself are really pleased with the way our compositions turned out. It’s always something of an unknown area when we start writing an album, but eventually the bits all start to fall into place. Having Sam (who was recommended to us) on board has also helped really bring the project to life.
We are so happy to let you know that we’ve got the cure for your February blahs. It’s called February Faves (if the title didn’t give it away). Throughout the month, all of us at Biff Bam Pop are going to share with you some of our favourite things. From movies to comics to food, heroes and villains and so much more, we’re going to talk about the stuff we love, and hopefully you’ll love them too. To kick things off, I’m going to list (in no particular order), five of my favourite 80s songs. Hope you dig them!
Everybody Wants To Rule The World, Tears For Fears – ok, I can safely say this is my all time favourite songs. It never gets old for me. A fun fact – the second, outro solo by Neil Taylor was nailed in one take.
While they may not have made it into the Rock and Roll Hall of Fame, it was still a very big year for progressive rock icons Yes. The band hit the road with singer Jon Davison for their critically acclaimed and commercially successful Three Album Tour, playing classics The Yes Album, Close To The Edge and Going For The One in their entirety. You know your humble Editor-In-Chief loves the band, and it seems that lots of Biff Bam Poppers do as well. So this gift guide entry is for the prog rock fan in your life, since there were three very cool Yes products released recently that will make any Yeshead happy.
The first comes from the fine folks at Panegyric Recordings. Working with remix/surround sound master, Steven Wilson, the label has reissued Yes’ genre-defining Close To The Edge in a definitive edition, with a remixed cd and either DVD or Blu-ray Surround Sound version, each with multiple versions of the album. As someone who has owned multiple copies of CTTE over the years, I feel totally comfortable in telling you that this is indeed the DEFINITIVE edition. The surround sound mix offers so many treats to discerning ears; but you don’t have to a longtime fan to appreciate the recording. I played the title track for fellow BBP writer JP Fallavollita, who hadn’t heard the song before, and he was literally blown away by what was coming out of the speakers. The packaging is also definitive, approximating a vinyl replica, complete with Roger Dean album art. Whether you’re buying this for someone who hasn’t listening to Yes before, or you’re giving it to the completist in your life, they will not be disappointed.
“Biff Bam Pop, right. You were in the front row tonight. Are you going to review the show?”
So asked Geoff Downes, keyboardist for legendary progressive rock band Yes when I reintroduced myself at the band’s meet and greet following their sold out performance at Massey Hall Thursday, April 11th. Last summer, Geoff and I had met at the band’s summer tour opener after he and I had conducted an email interview about the band. I told him I would indeed be writing about this stop on Yes’ three album tour, where the group was performing their classic albums The Yes Album, Close To The Edge and Going For The One in their entirety. This was the first time the band was attempting something like this since the early 70’s, when they toured their double album Tales From Topographic Oceans. It’s an ambitious undertaking, but one that is paying off nicely for the group. Shows have been selling out and reviews have been positive.
Read the rest of this entry
Regular readers of Biff Bam Pop will know that your Editor-In-Chief is a massive fan of progressive rock, with my all time fave prog band being Yes. This morning I read the sad news that original guitarist Peter Banks had passed away a few days ago. Yes has had an astounding eighteen members pass through their ranks over their 45 year history, and with virtuoso Steve Howe guiding them through the 70’s and new millenium, and wunderkind Trevor Rabin reigniting the band for the 80’s, it’s easy for Peter Banks to be forgotten.
Truth be told, Yes’ debut is a personal favourite. The band is cookin’ and much more rock oriented than their masterworks would have you believe. With Banks and original keyboardist Tony Kaye, the band simply played in a way they never would again. As legend has it, The Who’s Pete Townshend was hugely impressed with Banks when he saw him perform live.
So tonight raise a glass to an unsung guitar hero. Rest In Peace, Peter Banks, and thanks for helping Yes begin their trailblazing journey
Last week, progressive rock fans had a chance to read our exclusive talk with writer Jon Kirkman about his upcoming book on Yes, Time And A Word: The Yes Interviews. Well, the prog doesn’t stop at Biff Bam Pop, as I was very lucky to conduct an email interview with former Yes lead singer and current Mystery frontman (and fellow Canadian) Benoit David.
As many classic rock fans know, in 2008 Benoit David stepped in as an understudy for ailing Yes singer Jon Anderson. Discovered by the band after seeing a video of David fronting a Yes cover band, David managed to ably cover Anderson’s parts, while adding some much needed energy into the band. With the new vocalist firmly entrenched, in 2011, Yes released Fly From Here, their first studio album in 10 years and (in my opinion), their best since 90125. However, the constant touring proved difficult on David, who became ill last November, forcing the band to cancel concert dates. Unsure of when he’d be able to return, David vacated his role in Yes earlier this year.
However, Benoit David’s musical career is far from over. As a member of progressive rockers Mystery, alongside Michel St-Pere, is still making great music. The band’s latest studio album The World Is A Game was recently released and is a fantastically melodic album, mixing shorter songs with some gorgeous epic length tracks. For fans of Yes and prog rock generally, there’s much to love about the new album.
Take a taste of The World Is A Game and then dive into our interview with Benoit David after the jump!
Read the rest of this entry