This week’s update has a Universal Monsters focus, with not one, not two, but three Dracula-focused projects and a riff on Frankenstein. Some great trailers and some really great goop round out The Week in Horror!
This week’s edition of The Week in Horror has some interesting casting information for the new Ti West movie, news about the science fiction project of the year, and much more!
This week we’ve got some cool new trailers, as well as announcements of a remake of Witchboard, the new season of one of HBO’s gnarliest horrors, and much more!
Fugue is another in Agneieska Smocynska’s canon of outstanding horrors about women unraveling the mysteries of their own identity. It also cements her place as one of the most important Polish directors working today, as well as one of the best in horror in general.
Appropriately for the franchise, John Wick: Chapter Four puts everything on the Table
The Week in Horror features a trailer for Jaume Balaguero’s latest, a horror comedy with a surprisingly-apt title, the lineup from the Boston Underground Film Festival, and much more!
Evan Marlowe’s Abruptio is a tragic and horrific nightmare, all realized in the medium of puppetry.
I’ve got horror trailers, TV previews, and even a music video in this week’s edition of The Week in Horror! And also…A meth gator.
Trailers galore! It’s an embarrassment of trailer riches as we’ve got new ones for a sick Thai/Chinese giant monster film, Donald Glover’s celebrity-obsessed thriller, and everyone’s favourite killer doll gets a documentary treatment. All that and more in The Week in Horror!
What is it, remake week?The Week in Horror has news on some fresh takes on a Cronenberg classic, a cult cop-shop horror, and everyone’s least-favourite purple paleolithic nightmare.
Another week, another grip of horror news about Simon Barrett’s new film, a new sequel to a 90’s slasher classic, and one of the best trailers I’ve seen in a while! Check it all out, and more, in The Week in Horror!
In his debut film The Outwaters, Robbie Banfitch has created a found-footage nightmare that plays with many of the esoteric vibes as Kyle Edward Ball’s Skinamarink, but careens in the opposite direction with more of a maximalist take.Â
