Luca Guadagnino’s ‘Suspiria’ throws concepts together in a German dance academy, covers them with fake blood, and hopes you won’t notice how bored you are.
Watch with glazed boredom as Dimension Films runs a once beloved franchise into the ground with ‘Halloween: Resurrection,’ a dreadful experience in awfulness.
While its graphic nature is already the stuff of legend, there’s more to Isabella Eklov’s clinical and terrifying first feature, ‘Holiday,’ than that one scene.
The depiction of the Apollo 11 mission to the moon, ‘First Man,’ is a treat for the eyes, but suffers an emotional coldness that hampers its connection with the audience.
Bradley Cooper and Lady Gaga shine in the most recent iteration of ‘A Star is Born,’ but Sam Elliott is the one who deserves the highest praise.
‘Halloween: H20 – 20 Years Later’ takes everything you know about the franchise, runs it through a meat grinder, and winds up a bloody mess.
BHFF selection ‘Empathy, Inc.’ overcomes its budget limitation by focusing on character to tell its virtual reality horror story.
‘The Book of Birdie’ is a mystical horror fantasy, dripping with blood, but not in the way most genre horror fans would expect.
Venom suffers from a slow start, but once the film gets rolling in the second act, it becomes a fun and entertaining addition to the superhero genre.
Can Evrenol is nothing if not a student of the horror game, and his new film Housewife plays out like a highlight reel of his influences.
In this instalment of 31 Days of Horror, Nicolas Cage expert Lindsay Gibb looks at the actor’s latest foray into the horror genre, Mandy.
Killing is a movie featuring samurais that isn’t so much of a samurai movie as it is a Shinya Tsukamoto movie that has samurais in it.