31 Days of Horror 2023: The Cultural Gutter’s Angela Englert – ‘Saw X: He’s Not Wrong’
31 Days of Horror 2023: The Cultural Gutter’s Angela Englert explains why Saw X’s John ‘Jigsaw’ Kramer is right.
Category: Guest Writer
TIFF 2023: 5 Under-the-Radar Films
Sanjay Rajput unearths some hidden gems from the 2023 TIFF lineup!
Review: Lil Yachty’s Trippy “Let’s Start Here” is a Polarizing, Engaging Listen
“Let’s Start Here.” represents a massive style shift for Lil Yachty, and guest writer Evan Schwartz asserts that the buzz around the album is warranted.
SZA Stays True to Herself on Second Album, “SOS”
Guest writer Evan Schwartz praises SZA’s honesty and authenticity in his review of her hit album, “SOS.”
In The Game: ‘New Tales from the Borderland’ is for Die-Hard Franchise Fans Only
Fans of the Telltale Games formula or the Borderlands franchise will likely enjoy the latest entry in the series.
Album Review: Smino, “Luv 4 Rent (2022)”
On “Luv 4 Rent,” Smino combines soul and rap to create what guest writer Evan Schwartz calls a “nuanced universe.”
31 Days of Horror 2022 – The Performances That Make Us Scream – “Mad Love” (1935)
The Cultural Gutter’s Carol Borden expresses her love for the Peter Lorre performance in ‘Mad Love’ (1935)
31 Days of Horror 2022: The Performances That Make Us Scream — Isabelle Adjani, “Possession (1981)”
Guest writer Clay McLeod Chapman praises Isabelle Adjani’s manic performance in 1981’s “Possession.”
31 Days of Horror 2022 Presents In the Game: “Lovecraft’s Untold Stories 2”
Guest writer Ryan Breedon encounters a different kind of cosmic madness in the video game, “Lovecraft’s Untold Stories 2” as 31 Days of Horror continues!
31 Days of Horror 2022: The Performances That Make Us Scream — “Dawn of the Dead (1978)”
Guest writer Bev Vincent talks about the scene from “Dawn of the Dead (1978)” he watched over and over in this installment of 31 Days of Horror.
31 Days of Horror 2022: The Performances That Make Us Scream — Robert Mitchell, “Frontier(s) (2007)”
31 Days of Horror: Soldier of Cinema’s Robert Mitchell writes about Xavier Gens’ Frontier(s) (2007) and Karina Testa’s Guttural Scream from Hell!