This weekend, the Guardians held strong, Schumer and Hawn snatched second place, and King Arthur sunk like a sword in a stone. Here’s what went down:
Guardians of the Galaxy: Volume 2 once again was the top film at the box office, bringing in an estimated $62 million to raise its two week total to $245 million. The movie is well on its way to crossing the $300 million mark – is $400 million out of the question. We’ll have to see what sort of legs Star-Lord and company have as the summer blockbuster season rolls on.
Debuting in second place with an estimated $16.5 million is Snatched, starring Goldie Hawn and Amy Schumer. It’s not a great number, but it could increase slightly once the Mother’s Day totals are factored in. The film is battling lacklustre reviews and likely won’t be around for too long.
The same can be said for the mega-bomb King Arthur, which severely underperformed, bringing in just $14.3 million. With no box office draws toplining the film, and abysmal reviews accompanying it, the Guy Ritchie film just didn’t stand a chance.
Looking back, it was a year that really started the process of maturity for me, of becoming a fully formed adult, full of passions and proclivities. It was a year of new interests and of solidifying burgeoning talents. It was a year of reading the books and the genres that would influence me in all aspects of my life, forever.
In a previous “On” column, I wrote about author Lloyd Alexander and his book series The Chronicles of Prydain, which I enthusiastically read that very year.
But I also read Susan Cooper’s beloved The Dark Is Rising Sequence in grade five, a series of five books that was shared communally between both me and my friend John, who, luckily, introduced the novels to me.
The titular book, The Dark is Rising, the second book in the series, cemented not only my love for the Cooper novels, but also the bond shared between the best of friends.
Born: June 23, 1974 in Blacktown, New South Wales, Australia
“Sometimes, the smaller roles in movies can be the most interesting. If you only take the stance that you’ll only play central characters in movies, you’ll find yourself not being able to indulge in that morally grey terrain that makes support characters so rich and interesting.”