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Biff Bam Pop’s It’s All Connected – Just a Kid from Brooklyn: Captain America, American Memories of World War II, and the MCU, Part II

 

Splash page from The Ultimates #1, 2002. Script by Mark Millar, art by Bryan Hitch.

Splash page from The Ultimates #1, 2002. Script by Mark Millar, art by Bryan Hitch.

In the first part of this essay, I briefly sketched the construction of American memories of World War II that began slightly before the war and continue into the 21st century. In many ways the war has become a defining part of American identity, and the dominant, triumphal memory narrative we have created about it serves to elevate American participation in the war almost to the level of the sacred, and certainly to the realm of the simple black and white, good v. evil duality that is much more comforting than any messy and contradictory reality might be. The character of Steve Rogers/Captain America is one of the more perfect cultural artifacts to illustrate this process of memory construction, and the ways in which counter-memories, which challenge the dominant narrative, inevitably influence the national mythology.

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