Category Archives: Ogmios/David Ward
Biff Bam Pop’s Favourite Couples – Jesse Custer and Tulip O’Hare
I can’t help but think of The Pogues’ fantastic ballad “Fairytale of New York” when I think of Jesse Custer and Tulip O’Hare, two of the heroes from Garth Ennis’s and Steve Dillon’s masterful and landmark series, Preacher. I also think it’s apt that one of the major issues surrounding their relationship and love for one another is titled “Build My Dreams Around You.”
Preacher covers a number of themes, ranging from racism, faith, camaraderie, addiction, betrayal, and family, but one of the strongest elements in this epic series is straight-out love. Jesse and Tulip’s relationship is crucial to the entire run and informs almost everything that happens between these two characters.
They love each other deeply, and while both are fraught with imperfections and mistakes, their love is one of the few things that continues to find itself coming back full circle. I’ve never actually felt a love story to tug on my heartstrings as it does in Preacher (Hellblazer is a close second, but it’s hard to be sympathetic to John Constantine). Readers care for Tulip and Jesse. They want them to be happy.
Every time something bad happens to either of them (and for those of you in that tiny minority who have not read this amazing series, we’re talking about a lot of horrible things), we hope beyond hope that they’re going to survive the pitfalls thrown at them.
They’re typical of Garth Ennis’s characters: a strong, no-nonsense woman with a penchant for violence and a brutally honest man with a unflappable sense of honour. Their merits prompt faults (more often through Jesse, who’s heart is very much in the right place, but does he ever make mistakes…), but these complexities to their relationship and their stories add even more depth to the plot.
I can’t say enough good things about these two; they are my favourite comic-book couple of all time. Every time I read Preacher, they make me smile. Oh, and for those of you who haven’t read the series, I promise you your heart will jump into your throat at the end of one of the issues in the second storyline, Until the End of the World. It seems that nothing can stop these two. Not god, bullets, angels, ghosts, nuclear explosions, pious lunatics, vampires, inbred yokels, serial killers, or mutilation. What scares and drives them the most crazy is each other.
Writing this, I now want to start Preacher again. I won’t lie, I’m a Jesse/Tulip-shiper. We all have our fan-boy moments.
Biff Bam Pop’s Favourite Couples – John Constantine and Kit Ryan
Dating John Constantine is a hazard. Hell, knowing John Constantine is a hazard. You’re likely to end up dead, imprisoned in Hell or some other demonic dimension, or both. This applies to his love life, his “friends”, and his family.
Yet he still manages to mack the ladies. Guess they like the bad-boy thing: mysterious coat, magic, cigarettes, clandestine meetings with truly shady and bizarre characters. I’m not sure; I’m just flabbergasted at the way, and ease, with which he manages to pull in some of the most gorgeous and head-strong women in the Vertigo universe (though I’ve never seen him try to pull Death – well, there was that one time with the banana).
Biff Bam Pop’s Best of 2011 – Prog Rock, Hair Metal, Folk and More Make For An Eclectic Year
All this week, Biff Bam Pop’s various writers will drop by with their thoughts on the best of the year when it comes to tv, music, movies, comics and more. Monday, we looked at what topped our tv list. Today, here’s a list of what topped our list of favourite musical moments. As you’ll see, all of our contributing writers have some diverse taste
Andy Burns:
This was a year that featured a whole mess of big box sets from the likes of Pink Floyd, The Beach Boys, U2 and many more. Out of all of those, I’d have to say that Pink Floyd’s Wish You Were Here Immersion Box Set was the real revelation to these Floydian loving ears. Imagine putting on an album you’ve heard hundreds of times and then feeling like you’re experiencing it for the first time. That’s what it was like for me listening to the Surround Sound mix of WYWH. From the wind blowing to the sound of machines working to the actual music itself – I was placed right inside that album. You’d expect an experience like that from Dark Side of the Moon, of course, but Wish You Were Here in surround sound is a revelation that every Floyd fan should check out.
Biff Bam Pop’s Holiday Gift Guide Day 17, Part 2 – Doctor Who Series 6 on DVD and Blu-Ray
A caveat: this gift is for the Whovian on your list, and the Whovian alone. While some series of the reboot of Doctor Who can be seen without prior knowledge of the series, they are few and far between. Realistically, you can only start with series 1 or series 5. All you need to know for those two are that there’s this alien who’s called The Doctor, and he travels through space and time in a blue box. 2-4, plus the specials, all build off the first series, however, and this latest installment builds off series 5.
This is the second series with the eleventh Doctor, portrayed by Matt Smith, and it has some of the best episodes since the show started up again in 2005. Neil Gaiman even wrote an episode! (it’s fantastic, and in places you can hear Gaiman’s voice in the dialogue – not so much with the Doctor and his companions but with the rest of the cast) Admittedly, the series is not perfect, but it has a very captivating arc from the very first episode that permeates all thirteen episodes.
In short, how does The Doctor face a fixed point in time, his fixed point. From the first episode to the end the viewer continually asks themselves “How is he going to get out of this?”
The series arcs twice, too. This had to do with the way it aired on the BBC: it aired in two halves. It spirals towards an epic mid-season cliffhanger (and revelation, let me tell you), and then it heads back to the start. Yes, space and time isn’t fixed – wibbly, wobbly, timey-wimey (ok, so that was a 10th Doctor reference, but it still fits). The series is also very much about the Doctor and River; Amy and Rory (the Doctor’s current companions) are in more of a supportive role. Many series of Doctor Who deal with the Doctor and his relationship with his female companion, but this one is anomalous. Amy and Rory are important, and they’re by no means forgotten, but this series is about so much more than unspoken crushes.
The series is available on DVD and Blu-ray, the second of which I believe is a first for a Doctor Who series’ initial release. Exciting! Not only can the Doctor travel through time, but he can do it in high-definition.
So why recommend a series of television as a gift for which you must have prior knowledge? Because I refuse to admit for an instant that our readers are devoid of Doctor Who fans. The thought is ridiculous.
David Ward on The Girl With the Dragon Tattoo Soundtrack – Trent Reznor and Atticus Ross
At just under three hours in length, The Girl With the Dragon Tattoo soundtrack is simply the best thing I’ve heard all year, and it’s been out for less than a week. When I first downloaded the six-track sampler available through nin.com, I felt it was just a darker extension of Reznor and Ross’s earlier foray into soundtracks, their Oscar-winning effort, The Social Network. After a full listen, however, I was blown away, and that was even before I heard the additional 33 tracks.
This is simply the best of Reznor’s instrumental work – it takes the best of the instrumental tracks from all of his more commercial Nine Inch Nails releases (those on Broken, The Downward Spiral, The Fragile, Still, Year Zero, and The Slip), the all-instrumental Ghosts I-IV, and The Social Network, and it rolls them together with layers of complexity that are not easily described. There are haunting synthesized soundscapes that would not be out of place in a David Lynch film, eerie child-like overlays of pianos and xylophones, and outright disturbing beats and guitar riffs. The soundtrack, like the subject matter of the film it scores, is unnerving. There have been hints of the soundtrack’s varied elements throughout Reznor’s work, as well as those of collaborator Atticus Ross, but there’s something new here that I cannot quite pinpoint. Maybe it’s the huge number of layers and varied sounds, or it might be the echo of previous work brought together in a wonderful package, or maybe it’s just because I’m an unabashed fan-boy (though let it be known that I do hate at least one Nine Inch Nails song: “Deep” – even I have discriminating tastes when it comes to things Reznor).
I’m not going to break it down track by track, but a few tracks deserve special attention, the most well-known of which is their take on Led Zeppelin’s “Immigrant Song”, which they perform with the Yeah Yeah Yeahs’ Karen O. This is the track from the first trailer of the film, and it’s just fantastic. If not for my eagerness to listen to the rest of the soundtrack, I could easily listen to this song on repeat for hours. It’s a fantastic, hard, synthesized, and loud version of the original. The end is reminiscent of the lesser-known Reznor track “Driver Down” from the Lost Highway soundtrack, where it descends into noise and a constant hard-driving beat. It’s just fantastic.
Then there’s the track “Cut Into Pieces”, which while subtle, is just disturbing – I couldn’t help but think of a much-better produced “How to Destroy Angels” by Coil (funny that, given that’s the name of Reznor and Ross’s band, along with Reznor’s wife, Mariqueen). While Coil used carving knives, Reznor and Ross achieve a very similar effect with synthesizers and stringed instruments. Two other Coil songs I couldn’t help think of listening to tracks on this soundtrack were “Various Hands” and “The Swelling of Leeches” – while perhaps not direct influences, I’m certain the Balance-Christopherson experimental band had more than its small share of influence on Reznor and Ross. The last one I quickly wanted to mention, speaking of potential, whether conscious or unconscious influences, is the track “Oraculum”. This is part of the full soundtrack as well as the six-track sampler, and the first thing I thought of was a western, synthesized version of Hans Zimmer’s “Mombasa” from his soundtrack to Inception. The latter is definitely African in influence, if with western overtones, but “Oraculum” is something just as frenetic but as if done by those with a love of keyboards from the early 90s . . . Oh, wait!
Anyhow, I highly recommend you get this soundtrack; it’s outstanding. It’s also a bargain at $11.99 at iTunes (or via Reznor’s independent label, Null).
