KISS may have released their debut, self-titled album nearly 40 years ago but, it wasn’t until the release of 1975’s ALIVE! live album that the band received mass notoriety beyond being known as the band who wear Japanese Kabuki makeup. ALIVE! captured the spirit and energy of the live KISS experience and introduced the world to the band’s anthem, “Rock And Roll All Nite” which has remained a staple of their live shows ever since.
Hot on the heels of ALIVE! the band headed back to the studio to record their fourth studio album and brought in producer Bob Ezrin (Alice Cooper, Pink Floyd) to guide the ship. The resulting Destroyer album is perhaps KISS’s most successful studio recording and definitely their most ambitious to date.
Read more about Destroyer and its resurrection after the jump!
Ezrin worked the band hard in the studio, essentially teaching them how to play, record and engineer a rock and roll album. Ezrin co-wrote most of the essential tracks and provided the piano track on the album’s breakout hit, “Beth”. Ezrin also enriched KISS’s basic musical abilities and 4-piece sound with effects, strings, a children’s choir and even a Beethoven riff on “Great Expectations”.
In addition to the power-balled prototype “Beth”, Destroyer also features the classic KISS anthems “Detroit Rock City”, “King Of The Night Time World”, “God Of Thunder” and “Shout It Out Loud”. These tracks remain staples of the live KISS experience to this day and while the band has yet to be inducted in the Rock & Roll Hall of Fame (which is ridiculous) are recognized as all-time classic rock anthems.
Destroyer: Resurrected Track Listing:
1. Detroit Rock City
2. King Of The Night Time World
3. God Of Thunder
4. Great Expectations
5. Flaming Youth
6. Sweet Pain
7. Shout It Out Loud
8. Beth
9. Do You Love Me?
Bonus Track: Sweet Pain (Original Guitar Solo)
Don’t get me wrong, “Hell Or Helleluah” doesn’t stand shoulder-to-shoulder with the classics on Destroyer. To me it sounds more like Revenge-era KISS which makes sense since Singer played on that album as well. The drumming is much heavier than Criss’s work and Thayer’s guitar work is far superior to Frehely. I’m interested in hearing the rest of Monster as both Simmons and Stanley claim it’s a throwback, straight-ahead rocker with four guys playing together and very few overdubs or studio trickery. In the meantime, KISS fans have a lot to be happy about with the reissue, new album, tour, KISS KRUISE and Gene Simmons Family Jewels going strong on A&E.
