Category Archives: General
Here at Biff Bam Pop! we cover all aspects of pop culture – film, television, comics, music, even podcasts – but we have a very special place in our hearts here for horror, and this weekend, we lost one of the giants of the genre, filmmaker Wes Craven. You can read editor-in-chief Andy Burns’ brief memorial here, but if you’ll follow us after the jump, you can read the thoughts of other staffers and contributors to the site. Rest in peace, Wes Craven.
Each week, one of Biff Bam Pop’s illustrious writers will delve into one of their favorite things. Perhaps it’s a movie or album they’ve carried with them for years. Maybe it’s something new that moved them and they think might move you too. Each week, a new subject, a new voice writing on… something they love.
Since D’Angelo released his first album after a 14-year hiatus in December 2014, Black Messiah, hip-hop has been aflame. When the album dropped, D’Angelo stated in the liner notes that he was not solely calling himself the Black Messiah, but that if everyone worked together and strived for greatness, they too could become their own Black Messiahs, ultimately making the world a better place.
“This is the future. The world as we know it is gone. Scarred by endless wars, humanity struggles to survive in the ruins of the old world. This is the future. The year is 1997.” It’s a great pitch, and for Turbo Kid (opening today), a winning one. Fuelled by Mad Max and countless dystopian eighties adventure movies, this low-budget tween actioner gets its kick from gleefully over-the-top gore and a winsome underdog hero story. So strap on your power-gloves, and let’s get back to the future.
TIFF has this cool thing they do where they bring directors to Toronto and get them to talk about the films they themselves love. Just before the festival gets going in September, fans will get an early treat with Guillermo del Toro offering up a series of Gothic Master Classes. Read the rest of this entry
August 25th, 2015 is Biff Bam Pop’s 7th birthday.
How did this happen? Where did the time go?
It’s a blink of an eye kind of deal, and the fact that, all these years later, we’re still around? Well, I think it’s a testament to the amazing group of writers who have passed through our internet doors.
Currently, I believe we have the best line-up of Biff Bam Pop talent ever. Every writer has their own voice and thoughts, and their work is never less than compelling. For me, it’s amazing to be associated with this group, and I can’t thank them enough for what they bring to the table and to the site on a daily basis.
We also have the support of the genre community across North America, which is rewarding in and of itself.
So, what next? Well, we keep on trucking with this incredible group of personalities contributing. Hopefully, we’ll have some new faces join us as well. And then there’s this year’s new project, which hopefully will come to light before too long. I hate it when people tease things and don’t deliver, so consider this the kick in the butt I’m going to need to make sure we deliver.
Oh, fuck it. The BBP Network. This year.
Now I’ve done it.
Thanks for reading, for supporting, and for coming back day after day, year after year.
Well not exactly. But August 29th will mark the one hundredth birthday of Ingrid Bergman, if she were alive. To mark the occasion, TIFF is mounting Notorious: Celebrating the Ingrid Bergman Centenary, a program featuring many of the revered actress’s best films. From Hollywood classics like Casablanca (1942) and Notorious (1946) to the Italian neorealism of Stromboli (1950) to the amusing later vintage of Murder on the Orient Express (1974), the great Swedish actress was beautiful, talented and always keenly intelligent.
Great news, everyone! Jon Watts is directing the new Spider-Man film (you know, the one that Marvel and Sony are co-producing and which will bring Spidey into the Marvel Cinematic Universe).
Hold on, what’s that you say? Who the heck is Jon Watts?
Hey, no judgment over here. I didn’t know who he was either until I had the chance to watch Cop Car, his debut film which has been making the rounds, and that will be showing at The Royal in Toronto later this month.
A huge opening for one of this week’s two debuts, while another one just couldn’t find itself an audience. Here’s what went down:
Staight Outta Compton, the critically acclaimed biopic about the hugely influential hip-hop group NWA managed to debut with an outstanding $59 million in the early box office estimates. The film definitely had crossover appeal, which combined with solid reviews, help make it this weekend’s must-seee. Whether or not it will have legs is the next question, but as we hit the dog days of summer, I anticipate Straight Outta Compton should have a decent run over the next few weeks. Read the rest of this entry
This weekend sees the release of two radically different films, courting two radically different audiences. Which one will come out on top? Here’s our prediction:
Straight Outta Compton is the true life story of NWA, one of the most notorious and influential bands in the history of hip-hop. In that regard, this film is to rap what a film about Led Zeppelin would be to rock. Awareness is high (has anyone seen any Straight Outta Compton memes lately?) and critics have been giving the film top marks. Considering the band’s legacy and crossover appeal, look for Straight Outta Compton to be one of the biggest bio-picks of all time. It should easily hit the number one position with $60 million.
I always wonder how secret agents manage to look so superbly good. I guess all that Cold War cash had to assert dominance in every way imaginable, fashion included. Guy Ritchie’s latest romp, the resurrection of the campy sixties TV series The Man from U.N.C.L.E. as a breezy spy franchise in the offing, certainly lays on the style. The sunglasses budget alone must’ve been thousands. Deviating from the bombast of the Mission Impossible series, Ritchie opts for a sardonic retro pastiche. Unquestionably cool, find out after the jump if The Man from U.N.C.L.E. delivers on its premise, or the emperor’s only sporting exquisite new clothes.